subject
Intro

Coursera: Greek and Roman Mythology

 with  Peter Struck
Myths are traditional stories that have endured over a long time. Some of them have to do with events of great importance, such as the founding of a nation. Others tell the stories of great heroes and heroines and their exploits and courage in the face of adversity. Still others are simple tales about otherwise unremarkable people who get into trouble or do some great deed. What are we to make of all these tales, and why do people seem to like to hear them? This course will focus on the myths of ancient Greece and Rome, as a way of exploring the nature of myth and the function it plays for individuals, societies, and nations. We will also pay some attention to the way the Greeks and Romans themselves understood their own myths. Are myths subtle codes that contain some universal truth? Are they a window on the deep recesses of a particular culture? Are they a set of blinders that all of us wear, though we do not realize it? Or are they just entertaining stories that people like to tell over and over? This course will investigate these questions through a variety of topics, including the creation of the universe, the relationship between gods and mortals, human nature, religion, the family, sex, love, madness, and death.
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COURSE SCHEDULE

• Week 1: Introduction
Welcome to Greek and Roman Mythology! This first week we’ll introduce the class, paying attention to how the course itself works. We’ll also begin to think about the topic at hand: myth! How can we begin to define "myth"? How does myth work? What have ancient and modern theorists, philosophers, and other thinkers had to say about myth? This week we’ll also begin our foray into Homer’s world, with an eye to how we can best approach epic poetry.
Readings: No texts this week, but it would be a good idea to get started on next week's reading to get ahead of the game.
Video Lectures: 1.1-1.7
Quiz: Complete the quiz by the end of the week.

• Week 2: Becoming a Hero
In week 2, we begin our intensive study of myth through Homer’s epic poem, the Odyssey. This core text not only gives us an exciting story to appreciate on its own merits but also offers us a kind of laboratory where we can investigate myth using different theoretical approaches. This week we focus on the young Telemachus’ tour as he begins to come of age; we also accompany his father Odysseus as he journeys homeward after the Trojan War. Along the way, we’ll examine questions of heroism, relationships between gods and mortals, family dynamics, and the Homeric values of hospitality and resourcefulness.
Readings: Homer, Odyssey, books 1-8
Video Lectures: 2.1-2.10
Quiz: Complete the quiz by the end of the week.

• Week 3: Adventures Out and Back
This week we’ll follow the exciting peregrinations of Odysseus, "man of twists and turns," over sea and land. The hero’s journeys abroad and as he re-enters his homeland are fraught with perils. This portion of the Odyssey features unforgettable monsters and exotic witches; we also follow Odysseus into the Underworld, where he meets shades of comrades and relatives. Here we encounter some of the best-known stories to survive from all of ancient myth.
Readings: Homer, Odyssey, books 9-16
Video Lectures: 3.1-3.10
Quiz: Complete the quiz by the end of the week.

• Week 4: Identity and Signs
As he makes his way closer and closer to re-taking his place on Ithaca and with his family, a disguised Odysseus must use all his resources to regain his kingdom. We’ll see many examples of reunion as Odysseus carefully begins to reveal his identity to various members of his household—his servants, his dog, his son, and finally, his wife Penelope—while also scheming against those who have usurped his place.
Readings: Homer, Odyssey, books 17-24
Video Lectures: 4.1-4.8
Quiz: Complete the quiz by the end of the week.

• Week 5: Gods and Humans
We will take a close look at the most authoritative story on the origin of the cosmos from Greek antiquity: Hesiod’s Theogony. Hesiod was generally considered the only poet who could rival Homer. The Theogony, or "birth of the gods," tells of an older order of gods, before Zeus, who were driven by powerful passions—and strange appetites! This poem presents the beginning of the world as a time of fierce struggle and violence as the universe begins to take shape, and order, out of chaos.
Readings: Hesiod, Theogony *(the Works and Days is NOT required for the course)*
Video Lectures: 5.1-5.9
Quiz: Complete the quiz by the end of the week.

• Week 6: Ritual and Religion
This week’s readings give us a chance to look closely at Greek religion in its various guises. Myth, of course, forms one important aspect of religion, but so does ritual. How ancient myths and rituals interact teaches us a lot about both of these powerful cultural forms. We will read two of the greatest hymns to Olympian deities that tell up-close-and-personal stories about the gods while providing intricate descriptions of the rituals they like us humans to perform.
Readings: Homeric Hymn to Apollo; Homeric Hymn to Demeter (there are two hymns to each that survive, only the LONGER Hymn to Apollo and the LONGER Hymn to Demeter are required for the course)
Video Lectures: 6.1-6.7
Quiz: Complete the quiz by the end of the week.

• Week 7: Justice
What counts as a just action, and what counts as an unjust one? Who gets to decide? These are trickier questions than some will have us think. This unit looks at one of the most famously thorny issues of justice in all of the ancient world. In Aeschylus’ Oresteia—the only surviving example of tragedy in its original trilogy form—we hear the story of Agamemnon’s return home after the Trojan War. Unlike Odysseus’ eventual joyful reunion with his wife and children, this hero is betrayed by those he considered closest to him. This family's cycle of revenge, of which this story is but one episode, carries questions of justice and competing loyalties well beyond Agamemnon’s immediate family, eventually ending up on the Athenian Acropolis itself.
Readings: Aeschylus, Agamemnon; Aeschylus, Eumenides
Video Lectures: 7.1-7.10
Quiz: Complete the quiz by the end of the week.

• Week 8: Unstable Selves
This week we encounter two famous tragedies, both set at Thebes, that center on questions of guilt and identity: Sophocles’ Oedipus Rex and Eurpides’ Bacchae. Oedipus is confident that he can escape the unthinkable fate that was foretold by the Delphic oracle; we watch as he eventually realizes the horror of what he has done. With Odysseus, we saw how a great hero can re-build his identity after struggles, while Oedipus shows us how our identities can dissolve before our very eyes. The myth of Oedipus is one of transgressions—intentional and unintentional—and about the limits of human knowledge. In Euripides’ Bacchae, the identity of gods and mortals is under scrutiny. Here, Dionysus, the god of wine and of tragedy, and also madness, appears as a character on stage. Through the dissolution of Pentheus, we see the terrible consequences that can occur when a god’s divinity is not properly acknowledged.
Readings: Sophocles, Oedipus Rex; Euripides, Bacchae
Video Lectures: 8.1-8.9
Quiz: Complete the quiz by the end of the week.

• Week 9: The Roman Hero, Remade
Moving ahead several centuries, we jump into a different part of the Mediterranean to let the Romans give us their take on myth. Although many poets tried to rewrite Homer for their own times, no one succeeded quite like Vergil. His epic poem, the Aeneid, chronicles a powerful re-building of a culture that both identifies with and defines itself against previously told myths. In contrast to the scarcity of information about Homer, we know a great deal about Vergil’s life and historical context, allowing us insight into myth-making in action.
Readings: Vergil, Aeneid, books 1-5
Video Lectures: 9.1-9.10
Quiz: Complete the quiz by the end of the week.

• Week 10: Roman Myth and Ovid's Metamorphoses
Our consideration of Vergil’s tale closes with his trip to the underworld in book 6. Next, we turn to a more playful Roman poet, Ovid, whose genius is apparent in nearly every kind of register. Profound, witty, and satiric all at once, Ovid’s powerful re-tellings of many ancient myths became the versions that are most familiar to us today. Finally, through the lens of the Romans and others who "remythologize," we wrap up the course with a retrospective look at myth.
Readings: Vergil, Aeneid, book 6; Ovid, Metamorphoses, books 3, 12, and 13.
Video Lectures: 10.1-10.9.
Quiz: Complete the quiz by the end of the week.

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READINGS
There are no required texts for the course, however, Professor Struck will make reference to the following texts in the lecture:
• Greek Tragedies, Volume 1, David Grene and Richmond Lattimore, trans. (Chicago)
• Greek Tragedies, Volume 3, David Grene and Richmond Lattimore , trans. (Chicago)
• Hesiod, Theogony and Works and Days, M. L. West, trans. (Oxford)
• Homeric Hymns, Sarah Ruden, trans. (Hackett)
• Homer, The Odyssey, Robert Fagles, trans. (Penguin)
• Virgil, The Aeneid, Robert Fitzgerald, trans. (Vintage)
• Ovid, Metamorphoses, David Raeburn, trans. (Penguin)

These translations are a pleasure to work with, whereas many of the translations freely available on the internet are not. If you do not want to purchase them, they should also be available at many libraries. Again, these texts are not required, but they are helpful.

Syllabus

Introduction
Welcome to Greek and Roman Mythology! This first week we’ll introduce the class, paying attention to how the course itself works. We’ll also begin to think about the topic at hand: myth! How can we begin to define "myth"? How does myth work? What have ancient and modern theorists, philosophers, and other thinkers had to say about myth? This week we’ll also begin our foray into Homer’s world, with an eye to how we can best approach epic poetry. Readings: No texts this week, but it would be a good idea to get started on next week's reading to get ahead of the game. Video Lectures: 1.1-1.7 Quiz: Complete the quiz by the end of the week.

Becoming a Hero
In week 2, we begin our intensive study of myth through Homer’s epic poem, the Odyssey. This core text not only gives us an exciting story to appreciate on its own merits but also offers us a kind of laboratory where we can investigate myth using different theoretical approaches. This week we focus on the young Telemachus’ tour as he begins to come of age; we also accompany his father Odysseus as he journeys homeward after the Trojan War. Along the way, we’ll examine questions of heroism, relationships between gods and mortals, family dynamics, and the Homeric values of hospitality and resourcefulness. Readings: Homer, Odyssey, books 1-8. Video Lectures: 2.1-2.10. Quiz: Complete the quiz by the end of the week.

Adventures Out and Back
This week we’ll follow the exciting peregrinations of Odysseus, "man of twists and turns," over sea and land. The hero’s journeys abroad and as he re-enters his homeland are fraught with perils. This portion of the Odyssey features unforgettable monsters and exotic witches; we also follow Odysseus into the Underworld, where he meets shades of comrades and relatives. Here we encounter some of the best-known stories to survive from all of ancient myth. Readings: Homer, Odyssey, books 9-16. Video Lectures: 3.1-3.10. Quiz: Complete the quiz by the end of the week.

Identity and Signs
As he makes his way closer and closer to re-taking his place on Ithaca and with his family, a disguised Odysseus must use all his resources to regain his kingdom. We’ll see many examples of reunion as Odysseus carefully begins to reveal his identity to various members of his household—his servants, his dog, his son, and finally, his wife Penelope—while also scheming against those who have usurped his place. Readings: Homer, Odyssey, books 17-24. Video Lectures: 4.1-4.8. Quiz: Complete the quiz by the end of the week.

Gods and Humans
We will take a close look at the most authoritative story on the origin of the cosmos from Greek antiquity: Hesiod’s Theogony. Hesiod was generally considered the only poet who could rival Homer. The Theogony, or "birth of the gods," tells of an older order of gods, before Zeus, who were driven by powerful passions—and strange appetites! This poem presents the beginning of the world as a time of fierce struggle and violence as the universe begins to take shape, and order, out of chaos. Readings: Hesiod, Theogony *(the Works and Days is NOT required for the course)*. Video Lectures: 5.1-5.9. Quiz: Complete the quiz by the end of the week.

Ritual and Religion
This week’s readings give us a chance to look closely at Greek religion in its various guises. Myth, of course, forms one important aspect of religion, but so does ritual. How ancient myths and rituals interact teaches us a lot about both of these powerful cultural forms. We will read two of the greatest hymns to Olympian deities that tell up-close-and-personal stories about the gods while providing intricate descriptions of the rituals they like us humans to perform. Readings: Homeric Hymn to Apollo; Homeric Hymn to Demeter (there are two hymns to each that survive, only the LONGER Hymn to Apollo and the LONGER Hymn to Demeter are required for the course). Video Lectures: 6.1-6.7. Quiz: Complete the quiz by the end of the week.

Justice
What counts as a just action, and what counts as an unjust one? Who gets to decide? These are trickier questions than some will have us think. This unit looks at one of the most famously thorny issues of justice in all of the ancient world. In Aeschylus’ Oresteia—the only surviving example of tragedy in its original trilogy form—we hear the story of Agamemnon’s return home after the Trojan War. Unlike Odysseus’ eventual joyful reunion with his wife and children, this hero is betrayed by those he considered closest to him. This family's cycle of revenge, of which this story is but one episode, carries questions of justice and competing loyalties well beyond Agamemnon’s immediate family, eventually ending up on the Athenian Acropolis itself. Readings: Aeschylus, Agamemnon; Aeschylus, Eumenides. Video Lectures: 7.1-7.10. Quiz: Complete the quiz by the end of the week.

Unstable Selves
This week we encounter two famous tragedies, both set at Thebes, that center on questions of guilt and identity: Sophocles’ Oedipus Rex and Eurpides’ Bacchae. Oedipus is confident that he can escape the unthinkable fate that was foretold by the Delphic oracle; we watch as he eventually realizes the horror of what he has done. With Odysseus, we saw how a great hero can re-build his identity after struggles, while Oedipus shows us how our identities can dissolve before our very eyes. The myth of Oedipus is one of transgressions—intentional and unintentional—and about the limits of human knowledge. In Euripides’ Bacchae, the identity of gods and mortals is under scrutiny. Here, Dionysus, the god of wine and of tragedy, and also madness, appears as a character on stage. Through the dissolution of Pentheus, we see the terrible consequences that can occur when a god’s divinity is not properly acknowledged. Readings: Sophocles, Oedipus Rex; Euripides, Bacchae. Video Lectures: 8.1-8.9. Quiz: Complete the quiz by the end of the week.

The Roman Hero, Remade
Moving ahead several centuries, we jump into a different part of the Mediterranean to let the Romans give us their take on myth. Although many poets tried to rewrite Homer for their own times, no one succeeded quite like Vergil. His epic poem, the Aeneid, chronicles a powerful re-building of a culture that both identifies with and defines itself against previously told myths. In contrast to the scarcity of information about Homer, we know a great deal about Vergil’s life and historical context, allowing us insight into myth-making in action. Readings: Vergil, Aeneid, books 1-5. Video Lectures: 9.1-9.10. Quiz: Complete the quiz by the end of the week.

Roman Myth and Ovid's Metamorphoses
Our consideration of Vergil’s tale closes with his trip to the underworld in book 6. Next, we turn to a more playful Roman poet, Ovid, whose genius is apparent in nearly every kind of register. Profound, witty, and satiric all at once, Ovid’s powerful re-tellings of many ancient myths became the versions that are most familiar to us today. Finally, through the lens of the Romans and others who "remythologize," we wrap up the course with a retrospective look at myth. Readings: Vergil, Aeneid, book 6; Ovid, Metamorphoses, books 3, 12, and 13. Video Lectures: 10.1-10.9. Quiz: Complete the quiz by the end of the week.

15 Student
reviews
Cost Free Online Course (Audit)
Pace Upcoming
Subject Humanities
Provider Coursera
Language English
Certificates Paid Certificate Available
Hours 8-10 hours a week
Calendar 10 weeks long
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15 reviews for Coursera's Greek and Roman Mythology

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5 out of 5 people found the following review useful
2 years ago
Joanna Maryniak completed this course, spending 7 hours a week on it and found the course difficulty to be medium.
I've got quite mixed feelings about this one. I am probably not its target audience - I already have completed several years of Classical Studies, I'm even writing my PhD dissertation in this area right now so it may have seemed pointless for me to take it. Yet I wanted to take a look both at how Classics are thought o Read More
I've got quite mixed feelings about this one. I am probably not its target audience - I already have completed several years of Classical Studies, I'm even writing my PhD dissertation in this area right now so it may have seemed pointless for me to take it. Yet I wanted to take a look both at how Classics are thought on the other side of the Atlantic and wanted to see a Classics MOOC.

The course was surprisingly demanding - mostly when it came to length of videos and assignments. I can't really assess the difficulty but I was surprised at the time I was spending with it - and, unlike some other humanities MOOCs where I'd spend a lot of time interacting on the forums, I spent this whole time consuming the main course content. This may be both a pro and a con for this course.

The content of the course also surprised me though that may be just a cultural difference between European and American pedagogical approaches. Many ancient writers were presented but my classical education was screaming in the background about the lack of a broader picture. Each author seemed to be hanging in a void.

The abundance of methodological topics also seemed counter-intuitive. I'd first make sure a student has a clear grasp of all the stories and only then teach them about advanced methods of analysis.

But as a whole I am rather pleased with this course.
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2 out of 2 people found the following review useful
2 years ago
John Hunt completed this course, spending 2 hours a week on it and found the course difficulty to be medium.
Like some others here I was lucky enough to do some classics at school and Uni in the UK and was curious to see an American approach. Most students were coming to the Greek myths for the first time. The level of engagement with the texts was more demanding than I would have expected, but all I can say is the student b Read More
Like some others here I was lucky enough to do some classics at school and Uni in the UK and was curious to see an American approach. Most students were coming to the Greek myths for the first time. The level of engagement with the texts was more demanding than I would have expected, but all I can say is the student body seemed to be loving it. I think the material is golden, and works well in a MOOC. Lectures good; the quizzes challenging and exceptionally well thought through; the essay tasks worthwhile and fulfilling.

Having done several, I've noticed that the mark of a great MOOC is when the discussion fora is full of posts which really engage with the week's material (rather than carping about the marking and so on), which this did. 5 stars from me.
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2 out of 2 people found the following review useful
2 years ago
Doris Smith completed this course, spending 6 hours a week on it and found the course difficulty to be medium.
A great course with an excellent professor: I'd gladly take another course with Professor Struck any day. He's a very engaging and inspiring lecturer, with a deep knowledge and great enthusiasm for the material. I was a little unprepared for the amount of reading this course took, though. While I enjoyed the Greek w Read More
A great course with an excellent professor: I'd gladly take another course with Professor Struck any day. He's a very engaging and inspiring lecturer, with a deep knowledge and great enthusiasm for the material.

I was a little unprepared for the amount of reading this course took, though. While I enjoyed the Greek writers, I didn't much care for Virgil or Ovid. (It may be that I was just a little burned out by then, or maybe the translations were just too clunky.)
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3 out of 3 people found the following review useful
3 years ago
Lindley Walter-smith completed this course, spending 3 hours a week on it and found the course difficulty to be medium.
The enthusiasm of the lecturer for the subject matter was clear, and I really did feel I came away understanding much more about the texts (and caring more about them) than I could have from reading them myself. However, I felt that it was an in-class course not perfectly translated for an MOOC.
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4 out of 4 people found the following review useful
5 years ago
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Anonymous completed this course.
Outstanding. Well thought out, well organized, well presented. I was not particularly interested in the topic but the excellence of the course kept me coming back for more.,
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2 out of 2 people found the following review useful
3 years ago
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Joao Manuel Alves Da Costa completed this course, spending 7 hours a week on it and found the course difficulty to be medium.
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5 months ago
Adam F Cook completed this course.
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1 out of 1 people found the following review useful
2 years ago
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Yue Yun completed this course.
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8 months ago
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5 months ago
Sriya Veera completed this course.
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Reesha Malik partially completed this course.
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Dominique Dixon audited this course.
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